Artist Development

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Iona Kewney / Photo: Ben HopperJoseph Mercier / Photo: Ben Hopper

Current news in Artistic Support:

 

...CHISENHALE DANCE SPACE IS AT THE HEART OF THAT, AS IT HAS BEEN SINCE IT OPENED IN 1980, FOUNDED BY PIONEERS OF ‘NEW DANCE’ THE X6 COLLECTIVE. IT HAS ALWAYS BEEN ON THE FRINGES OF LONDON DANCE CULTURE, OFFERING A SPACE FOR ARTISTS TO EXPERIMENT. AND HAVING LAID LOW FOR A WHILE, THE PLACE UNDERWENT A RENAISSANCE RECENTLY UNDER THE DIRECTION OF LIVE ARTIST BRYONY KIMMINGS AND A CLAN OF COMMITTED VOLUNTEERS (KIMMINGS HAS NOW MOVED ON BUT WE’RE HOPING THEY’LL KEEP UP HER GOOD WORK). IT’S HOME TO DEBATE- AND CAKE-FUELLED COFFEE MORNINGS, EDGY (OCCASIONALLY X-RATED) PERFORMANCE AND FESTIVALS OF WORK THAT LIE BETWEEN DANCE, LIVE ART AND CONCEPTUAL WHO-KNOWS-WHAT.

Read full article here: http://londondance.com/articles/features/an-alternative-guide-to-dance-in-london/

 


Gillie Kleiman was away and kindly allowed The Shrinking Violets to host one of her Coffee Mornings at Chisenhale Dance Space on 17th January 2012.

The stipulated topic was Working Conditions and various themes and offshoots emerged. Below are some thought-provoking highlights. Coffee Morning is billed as ‘Rant. Chat. Eat.’ The eleven of us that attended certainly did that!

Full write can be found here: http://theshrinkingviolets.tumblr.com/post/16341497071/working-conditions

Our next coffee morning will be on the 28th February at 11am... more details to follow

 

Coffee Morning

Rant. Chat. Eat.

Tuesday 17th January 2012

11am-2pm-ish

The Coffee Mornings at Chisenhale Dance Space continue, with another chance to meet some people, talk about something important, and eat some cake.

To kick off the new year, blogging duo The Shrinking Violets will be focusing on the oh-so dancerish conundrum of working conditions.

The ‘dance because you love it’ scenario often excuses the unpaid or underpaid work dancers do, so can perceptions change?

Some other questions we might ask ourselves:

What employment rights are dancers entitled to? What kind of legislation could protect performers? Has anyone ever demanded Equity pay and do young dancers feel like they can? How replaceable are dancers as a workforce?

Let's get together and talk about this and everything else besides.

You need not bring anything but yourself. And maybe some cake.

 

Chisenhale Dance Space

64-84 Chisenhale Road

London E3 5QZ

www.chisenhaledancespace.co.uk <http://www.chisenhaledancespace.co.uk/>

For more info about The Shrinking Violets, visit: www.theshrinkingviolets.tumblr.com

We are deeply saddened by the death of Gill Clarke, whose commitment and vision were central to shaping, maintaining and developing Chisenhale as a space for artists during her many years of involvement with CDS.

Gill guided Chisenhale with gentle determination and rigorous thought and insight into a new phase of its life, rejuvenating it and securing funding after being threatened with the knife from the Arts Council. She rescued a sinking ship.

Gill was instrumental in creating a new model that made Chisenhale a centre for artists who wanted time to research and experiment without the pressure of a finished product. Under this new ‘artists model’, Gill served as a member of the Steering Group of three artists (later renamed Artist Associates), elected for up to three years, who took responsibility for the artistic direction of Chisenhale.

Gill also instigated the idea of a selection panel of three practising artists, who chose several projects from applications to fill two 12-week seasons. Serving on the Steering Group from 1998 - 2001, Gill oversaw and hosted these selection sessions. She made sure there was thoughtful and wide-ranging debate, with diligence and fairness, seeking what research projects might best benefit from what Chisenhale could offer.

The model Gill set up was a hugely fruitful time for Chisenhale. Many artists of all ages and ranges of experiences, from those just starting out to well-seasoned choreographers – all who put movement at the centre of their practice – benefited from these opportunities. Chisenhale became a pioneering, process-centred, artist-led space and the only one in Britain. Gill served on the board from 2001 to 2010, remaining closely connected with Chisenhale and working tirelessly for its existence and ethos.

A workshop with Kira O'Reilly organised by Tom Marshman
Chisenhale Dance Space - 7th January 2012
Making a January day as long as possible.
The workshop will take place within a 24 hour period that we will dedicate to discovering, developing and practising ideas about ‘bringing out and finding’.
Searching out movements, calling up collisions, perhaps finding other bodies that ghost what we think are our bodies.

We will begin before we meet, and complete after we have parted.

We will work in a dance studio and out of doors.
It will be cold.
We will wrap up warm.
We will use the weak January light and dimness as we find it to experiment with reconfigurations of our physicality and environments.

We will assemble and generate ideas and tangents from drawing, writing, reading and moving.

I will teach some yogic exercises that are wonderfully effective in opening up the senses and generating vitality and for supporting our capacity for our own inspiration and creativity.

Kira O’Reilly is a UK based artist; her practice, both wilfully interdisciplinary and entirely undisciplined, stems from a visual art background; it employs performance, photography, biotechnical practices and writing with which to consider speculative reconfigurations around The Body. She has performed with pigs and fallen down stairs, bleed and has been very still, tinkered with cell cultures and worn feathered headdresses, has extracted spider silks and whispered in mirrors, written love letters as conference papers and in panic and fallen out of headstands. She has spent a lot of time on her own in various studios wondering what to do and has read Vampire novels and listened to a lot of Scott Walker.

If you would like to take part in this workshop please tell us, on no more than one side of A4:
• What interests you about the workshop description?
• How do you make a day longer in and out of a studio/rehearsal room?

Email your responses to mail@chisenhaledancespace.co.uk
Deadline for applications 23rd November 2011, will hear by 5th Dec 2011
Price of workshop for 2 days £60 (£40 Low income- evidence required.

 

13-17th February 2012

10-3pm

£75/60 concessions

Booking: 0208 981 6617

mail@chisenhaledancespace.co.uk or leila@leilamcmillan.com

www.chisenhaledancespace.co.uk

www.leilamcmillan.com

Leila will deliver a combination of the two techniques, Flying Low & Passing Through, originally created by David Zamvrano plus her own development. 

Flying Low: Diving low, flying high, jumping through, spiraling across, sliding, running, speeding… Flying Low focuses mainly on the dancers relationship with the floor moving quickly and efficiently in and out of the earth. Activating the voice as a tool to direct the body, express yourself and communicate with the group. 

Passing Through: an improvisation technique working with David Zambrano’s philosophy, movement needs no leader in creation.  Working with adaptation, interconnecting, transforming the environment of the dance and measuring our energy to never stop dancing.  We are a flock of birds, we are interwoven, we are unlimited possibilities, we dance our life experiences to the fullest.  We work to see the room full of pathways going in any direction filled with curves, visible and invisible spirals constantly passing through the space and each other.  The passing through is created into a wild spontaneous composition.

Video Links: 

www.leilamcmillan.com

www.50collective.com

"...Oh So Totally Rad ... asks whether dance can still be radical in an age when the transgressive is just one more consumer choice...

...in the age of the upscale corporate-sponsored art event, it's good to know that someone's asking such questions."

Read Luke Jennings' review in The Guardian.

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London Hub of Performance Life.

Resident Zine at Chisenhale Dance Space.

Click Here to look at it in all its wonder.

Space Hire – New Wi-fi!

Yes we are still one of the cheapest and most artist-friendly spaces in town. Why not give us a try… we now have Wi-fi! We also have free filtered water, a cosy lounge to hang out in and lovely staff to chat to!

Click Here for images, rates and terms.

Ecovenue is a European Regional Development Fund-backed initiative of The Theatres Trust, aiming to improve the environmental sustainability of 48 performing arts spaces across London. By proactively monitoring energy /water use and waste diversion, and through the development of environmental policies, procurement strategies and Display Energy Certificates, Ecovenue aims to help contribute to the Mayor of London’s target to reduce London’s carbon emissions by 60% from 1990 levels by 2025. Joining 11 other London based theatres including the Bush, Southwark Playhouse and The Drill Hall, Chisenhale, as a member of the first Ecovenue Cohort, is committed to reducing its carbon footprint over the next 2 years with the support of this amazing new scheme!

Website link: http://www.theatrestrust.org.uk/resources/ecovenue

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